The Drogheda punks make their return, two years after being “chewed up and spat out of the music industry,” with a song more rousing than a sea-shanty. It reminds me a little of Queen’s ‘’39’, but it expresses the same sentiments as the Eels’ ‘Things The Grandchildren Should Know’. The song takes its title from the age at which Hendrix, Morrison and Joplin passed on, and this single’s one reason we should be grateful these boys didn’t do the same. With their Irish Johnny Rotten vocals and their rip-roaring energy, they deserve to get further than they did last time.
They were Ireland’s original of the punk species, and thirty years on from their debut, Paranoid visions are still fizzling with anti-establishment fury. The difference, they say, is that nowadays they are more likely to channel their rage through music rather than chuck a bottle through a shop window
They're one of the biggest names in indie-dom but, with album number three about to be unleashed, Kaiser Chiefs can still go out on the town without being pestered by paparazzi.
Edwyn Collins, late of Orange Juice and whose third solo album was recently released, gets all acidic about the state of the music business. Interview: Patrick Brennan.
Fashion designer, punk Svengali, musical maverick, filmmaker and occasional pervertor of justice. MALCOLM McLAREN has been all of these things – and more – in a rollercoaster career that's seen him become a hero to some and an unscrupulous villain to others. STUART CLARK tools up at Ron & Reggie's Gangland Surplus Store for a showdown with the man who manufactured cash from chaos! Scene-of-the-crime photographer: COLM HENRY.
Love Tattoo is a stunning debut. Although it’s meticulously recorded (you can actually hear the pop of the double bass for once) Imelda’s coquettish croon is the star of the show.
Stuart Clark joins Bon Jovi for one wild night in Mexico city and hears how the band survived drink, drugs, dodgy haircuts and, ah, parasitical infections to hobnob with a beatle and stake their claim as “one of the best rock ’n’ roll bands on the planet”
SIMON FOWLER of OCEAN COLOUR SCENE speaks to Colm O'Hare about the band s new album, his outing at the hands of the tabloid press, and hanging out with Noel Gallagher.
Ex-punk that I am I’m not going to berate anybody for having a go/creating their own scene/trying to get up people’s noses, but as much as they want it to be 1976 Selfish Cunt aren’t going to ferment revolution by giving themselves a self-consciously rude name/swearing a lot/sounding like a very bad S*M*A*S*H.
They may sport one of the most original sounds in rock’n’roll – but along the way they’ve been influenced by some of the greats.
STUART BAILIE identifies the ten (plus!) key influences on the music of U2
DO YOU WANT NAILS OF FEEDBACK DRIVEN THROUGH YOUR BRAIN? DO YOU WANT YOUR EARS TO BLEED? THIS IS HARDCORE AND IT'S THE MOST VITAL ATTITUDE IN ROCK'N'ROLL, FROM LOU REED TO THERAPY? VIA NICK CAVE, FUGAZI AND... CHRISTY MOORE. OR SO SAYS GERRY McGOVERN, WHO ALSO ADVANCES THE THEORY THAT 'HARDCORE IS GENERALLY FOR HARD WHITE MEN'. SHOOTING GALLERY AWAITS YOUR RESPONSE!
It was a Jubilee ago that The Sex Pistols exploded onto the world stage and changed music forever. Except little has changed, according to John Lydon and that's why he's back
Can you see the Forrest for the Gump? Can you explain the cultural phenomenon of Steven Seagal in English plain enough for Seagal himself to understand? Did you recognise any of the actors hiding beneath moustaches in Wyatt Earp, Tombstone and Gettysburg? Are you ready for the fourth annual X-mas rated Blow Up Movie Quiz?
Oh, well, give it a go anyway. Now we separate the movie buffs from the people who have got something more interesting to do than spend all day hanging around cinemas and reading Hot Press. Answers can be found on page 99 but anyone caught peeking will have to live with the knowledge that they are a dirty, rotten, good for nothing, low down cheat. Good luck. And remember, this quiz is just like a box of chocolates . . . you’ll feel sick when you’ve finished.
Jinx Lennon is a true original, a rock'n'roll outsider whose music throbs to the pulse of rural Ireland. Here he talks about attending cocktail parties with David Norris and explains why Dundalk just might be the strangest town in Ireland.
When he was with PiL he ate cheese rolls and guzzled vintage wine by the neck in Maxim s of Paris. Having gotten the rock n roll lifestyle out of his system, he literally went underground, working as a driver on the London tube. Now he s back, mining the divine power of music with his latest album, The Celtic Poets. saraH Mcquaid meets the inimitable jah wobble.
Champagne corks were popped last week as Snow Patrol joined that elite group of bands who’ve simultaneously topped the charts in Ireland and the UK. It’s all a far cry from the days when their fame was confined to the University of Dundee Students Union bar. Gary Lightbody takes time out from wowing the masses in Dublin and Belfast to tell Stuart Clark about their twisty and turny route to the top.
Long before boomtime Ireland there was boomtown Ireland, a country where the national symbol was not a tiger but a rat. to coincide with the release of the best of the boomtown rats, Bob Geldof looks back to the tepid Irish scene of the mid-’70s from which the rats emerged, biting, snarling and laughing, to take on the establishment, Britain and, almost, the world.
When Nirvana exploded out of Seattle with the classic grunge album Nevermind, they were hailed as modern primitives, punk upstarts whose hard musical edge and authentic street style were the antithesis of the dominant ethos of corporate rock. Two years on however, their reputation as Rock 'n' Roll rebels is somewhat less secure. Bill Graham sifts through two new biographies of the band, and talks to Victoria clarke, the co-author of a third which has been effectively surpressed by the Nirvana 'corporation'.
The Boomtown Rats came burning out of Dublin in the late ‘70s, railing against the Irish establishment to the audible gasps of the nation’s more conservative elements. With their remastered back catalogue having been recently reissued, Bob Geldof here looks back on a period of notoriety, controversy and personal angst, and also reflects on his ongoing efforts to highlight the issue of Fathers’ Rights. Interview by Peter Murphy. Photography by Mark Harrison.
With his upcoming concert in Poulaphouca marking his solo Irish debut, it's been all too easy in the recent past to overlook Bob Geldof's standing as a musical and lyrical artist. The lines connecting the youthful Dun Laoghaire blues and Dylan aficionado with the creator of The Vegetarians Of Love are rarely traced in media-bytes that prefer to concentrate on Modest Bob, Live Aid Bob and Saint Bob. Here, Bill Graham, who knew the schoolboy, takes musician Bob on a freewheeling trip from then to now.
With his upcoming concert in Poulaphouca marking his solo Irish debut, it's been all too easy in the recent past to overlook Bob Geldof's standing as a musical and lyrical artist. The lines connecting the youthful Dun Laoghaire blues and Dylan aficionado with the creator of The Vegetarians Of Love are rarely traced in media-bytes that prefer to concentrate on Modest Bob, Live Aid Bob and Saint Bob. Here, Bill Graham, who knew the schoolboy, takes musician Bob on a freewheeling trip from then to now.
With his upcoming concert in Poulaphouca marking his solo Irish debut, it s been all too easy in the recent past to overlook Bob Geldof s standing as a musical and lyrical artist. The lines connecting the youthful Dun Laoghaire blues and Dylan aficionado with the creator of The Vegetarians Of Love are rarely traced in media-bytes that prefer to concentrate on Modest Bob, Live Aid Bob and Saint Bob. Here, Bill Graham, who knew the schoolboy, takes musician Bob on a freewheeling trip from then to now.
Something is stirring down Cork way. It’s not a question of quality music – that’s been there before – but a burgeoning sense of identity and a fiery attitude that’s willing to take on all comers, be it those who still think that Dublin is the be all and end all of the Irish music scene or those who purport to speak authoritatively on local culture without taking note of the very musicians who make up the lifeblood of the city.
Is there anyone who will 'fess up to ordering another dozen tunes with earnest lyrics, dampened down drums, polite keyboards and sub-Floydian guitar solos?
The Sex Pistols are back! In what has the look of a major coup for the event, punk’s great trailblazers are among this year’s headliners at Electric Picnic 2008, which takes place in Stradbally over the final weekend in August.
Since records began, popular music has maintained a healthy and unstinting preoccupation with political issues. GERRY McGOVERN namechecks some of the artists who have nurtured such links and argues that even music which ostensibly extricates itself from the issues of the day, is itself inherently political.
Aer Rianta’s Annual Arts Festival takes place this year from the 6th to the 12th of February at Dublin Airport. Now in its seventh year, the festival is a massive undertaking and is the first and only event of its kind to take place at an airport terminal, anywhere in the world. Featuring both performing and visual arts, this year’s festival promises to be the most ambitious and exciting to date and a quick glance at the impressive line-up should confirm exactly why, writes Colm O’Hare.
Neil McCormick, a friend of U2 in their earliest days, who, as a writer, has closely monitored their progress since then, analyses Eamon Dunphy's much-touted 'authorised' biography "Unforgettable Fire" – and can't quite believe what he reads
